People are always getting asked: What is the difference between old masters and contemporary art. To put it briefly, modern art is created by artists that are still living. Old Masters are paintings painted by artists that are departed. The good news is that if people acquire contemporary art now from talented, well known artists, then chances are that one day, either them or their children will be the proud owners of old masters. The appalling news for the artists is that usually while they are alive, and painting, they hardly ever get to see the true value of what their paintings are actually worth.
Contemporary means ‘art that has been and carry on to be created during one’s lifetime’, in other words, contemporary to us. Contemporary art is art produced at the current period in time which is available in Mark Borghi Fine Art Gallery. Contemporary art consists of, and develops from, post-modern art, which is itself a descendant to modern art. Strictly speaking, it refers to fine art made and produced by artists from the 1960’s or 70’s up until this period. 1970 is the interrupt point for two reasons. Primarily, because it was around 1970 that the terms ‘Post-modern’ and ‘Post-modernism cropped up – meaning, people must believe, that the art world had had its fill of Contemporary Art. Secondly, 1970 seems to be the final upholder of easily classified creative movements.
While it may be difficult to categorize emergent movements, Contemporary art is much more communally conscious than any preceding era has been. A whole lot of art from the last 30 years has been connected with one subject or another: multiculturalism, feminism, globalization, AIDS awareness and bio-engineering all come readily to mind as subject matter. Today’s artists work in and act in response to a universal environment that is technologically advancing, culturally diverse, and multifaceted.
Working in a broad range of mediums, contemporary artists often replicate and remark on modern-day society. When connecting with contemporary art, audience are challenged to set aside queries such as, ‘Is a work of art superior?’ or ‘Is the work aesthetically satisfying?’ Instead, viewers think about whether art is interesting or challenging. Contemporary artists may question conventional ideas of what constitutes art, how art is defined, and how art is made, while creating a conversation with-and in some cases rejecting-the movements and styles that came before them.
Nevertheless, contemporary art critics raised a dispute that some arts should be retained for certain group of individuals. They argued that true admiration of art can come from individuals who can comprehend modern art. In other words, only an artist can comprehend the value of an art in Mark Borghi Fine Art Gallery. It is factual in some cases, but an artist would like to get admiration from as many individuals as possible. Contemporary art will persist to articulate publicly understood ideas so as to get the utmost appreciation from the public.
Since the early 20th century, some artists have sidetracked from pragmatic representation and the portrayal of the human figure, and have moved increasingly towards generalization.